Like the Art movement known as Cubism. (1908-1914), multiple exposures allow us to see objects from several angles simultaneously, so that rather than see a single object or scene, we see an overall impression instead. I used the technique to create images that express the essence of the flower rather than showing a traditional representation.

Although this effect can be simulated using computer-editing tools, I prefer to rely upon the camera alone. With this method, it is not possible to plan compositions exactly because there are so many interacting elements such as shape, colour, light, translucence, etc, therefore it is difficult to know exactly how the two exposures will look after they combine. It is not until the camera processes the image that you see your result. The lack of total control over the process inspires me because it often produces spectacularly beautiful effects that are totally unexpected. The technique reveals the astounding beauty of our environment that largely remains unseen.