This series explores the idea of distortion or man’s impact on the environment, through an original photographic technique .

How much of the environment will exist in an altered state in the future due to man’s impact? Imagine taking a walk through a garden expecting to see perfect specimens of all sorts of flowers, instead, you find these dystopian, mutated forms, still beautiful but not as you knew flowers to be.

To achieve the distortions, I developed a multi- faceted photographic technique using a combination of devices, including a macro lens, long exposures and light-painting. The result is delicate colours and a sense of dark mystery. The variable nature of these techniques mean that they cannot be completely controlled or repeated in subsequent shots, and as a result, each image is entirely unique.The images are made in camera with minimal cropping and levels adjustment in editing.

This series explores the idea of distortion or man’s impact on the environment, through an original photographic technique.

How much of the environment will exist in an altered state in the future due to man’s impact? Imagine taking a walk through a garden expecting to see perfect specimens of all sorts of flowers, instead, you find these dystopian, mutated forms, still beautiful but not as you knew flowers to be.

To achieve the distortions, I developed a multi- faceted photographic technique using a combination of devices, including a macro lens, long exposures and light-painting. The result is delicate colours and a sense of dark mystery. The variable nature of these techniques mean that they cannot be completely controlled or repeated in subsequent shots, and as a result, each image is entirely unique.The images are made in camera with minimal cropping and levels adjustment in editing.

This series explores the idea of distortion or man’s impact on the environment, through an original photographic technique .

How much of the environment will exist in an altered state in the future due to man’s impact? Imagine taking a walk through a garden expecting to see perfect specimens of all sorts of flowers, instead, you find these dystopian, mutated forms, still beautiful but not as you knew flowers to be.

To achieve the distortions, I developed a multi- faceted photographic technique using a combination of devices, including a macro lens, long exposures and light-painting. The result is delicate colours and a sense of dark mystery. The variable nature of these techniques mean that they cannot be completely controlled or repeated in subsequent shots, and as a result, each image is entirely unique.The images are made in camera with minimal cropping and levels adjustment in editing.